London Grammar - Wasting My Young Years (Official Video) (by London Grammar)

Bibo, wonderful animated short film about a lonely robot, a year in the making – a sort of modern-day, sadder version of Pixar’s groundbreaking 1986 classic Luxo Jr.

(thanks/via: explore-blog)

Slow Life (by Daniel Stoupin)

Incredible Slo-Mo Video Of The Underwater Creatures You Never See

Coral is actually a living creature, but the human eye rarely catches it moving. This incredibly slow-motion video lets you see the ocean life you don’t notice, before it’s destroyed by climate change.

This is an amazing deep dive into the psychedelic world of fluorescent coral from marine biologist and photographer Daniel Stoupin.

Coral are not dead skeletons or rocky statues. They are living structures that move, swell, and slurp daily, just not on time scales that we can recognize with our eyes. Thankfully, Stoupin and his timelapse morphs our perception of time so we can.

This work of ocean art leaves one question unanswered. Why would a coral be fluorescent in the first place? They have no ability to “see”, at least as far as we know. What evolutionary gift could glowing give?

Luckily, this isn’t the first time that Daniel Stoupin has landed on IOTBS, and we might be able to shed some (wavelength filtered) light on that question.Check out this previous gallery of his fluorescent photography to discover the fishy reason why these coral might glow.

But then there’s the sad fact that coral is currently dying pretty rapidly  because of global warming…

(thanks/via: jtotheizzoe and fastcompany)

Jamie xx: Sleep Sound

Deaf Dancers Move to the Silence with Artist Sofia Mattioli

“I was on a train listening to music, getting deep into it, and this girl started staring at me,” says London-based artist and poet Sofia Mattioli of the genesis of her video for Jamie xx’s “Sleep Sound.” “After a while I took my headphones off and she came up to me, started signing and then wrote me a note to say that she was deaf but could almost feel the music by my movement.” With the germ of an idea from this chance encounter, Mattioli was asked to create a video for the member of The xx and Grammy-winning producer of Alicia Keys, Gil Scott-Heron and Drake. During the course of one day, she danced with 13 members of the Manchester Deaf Centre with ages ranging from five to 27 years old, who responded to the movement of the artist and the vibrations in the air given off by the song. “The relationship between silence and music is a big part of what I am trying to express with my work,” says Mattioli. “The first kid in the video, Archie, was bliss—all of them were amazing. I hope this is a project I can develop further.”

Awesomeness!!!

With an enormous thank you to Nowness and Jamie xx.

The case of the vanishing honeybees - Emma Bryce from TED-Ed includes a links for digging deeper into this subject

(thanks/via: TED-Ed)

Moire Patterns and Poemotion 

From Wikipedia: “In physics, mathematics, and art, a moiré pattern is a secondary and visually evident superimposed pattern created, for example, when two identical (usually transparent) patterns on a flat or curved surface (such as closely spaced straight lines drawn radiating from a point or taking the form of a grid) are overlaid while displaced or rotated a small amount from one another”.

You probably see moiré patterns every day! We are surrounded by grids and lines that can overlap to form these patterns. Maybe you’ve seen a television show that had a character wearing a striped shirt that looked a little bit like this. Or maybe you’ve seen overlapping mesh. Mesh can form very visible moiré patterns. I created a gif from Paul Nylander’s video of an IKEA waste basket displaying very obvious moiré patterns:

Moire basket

Moire patterns can be used to create art. Above are GIFs of a book called Poemotion created by a Japanese designer named Takahiro Kurashima. It’s pages are filled with an assortment of patterns. From Poemotion’s publisher, ”Poemotion is an interactive book-object. The abstract graphical patterns in this small volume are set in motion as soon as you move the attached special foil across them. Moiré effects allow complex forms to develop, set circles in motion and make graphical patterns vibrate.” Click here to watch a very cool Vimeo about Poemotion

Wow!

(thank/via: visualizingmath)

About World Science U (by World Science U)

World Science U is up and running now. Check it out; super interesting, right?

A promising technology power this futuristic car, a vanadium redox battery (a kind of flow battery).

Source: 2014 QUANT E-Sportlimousine (topspeed.com)

(thanks/via: scienceisbeauty)

PERU: Things I Remember (by Scott Gold)

Description for this video:
“Traveling is a brutality. It forces you to trust strangers and to lose sight of all that familiar comfort of home and friends. You are constantly off balance. Nothing is yours except the essential things – air, sleep, dreams, the sea, the sky – all things tending towards the eternal or what we imagine of it.”
– Cesare Pavese

(thanks/via: Scott Gold…again)

This fantastic and moving tribute to Philip Seymour Hoffman by Caleb Slain features over 40 of Hoffman’s films.

At 17:22 the video uses a clip from a 2010 interview with Ross Reynolds of NPR affiliate KUOW in which Hoffman says:

People need each other and that actual interaction or relationship or friendship or romantic love affair, all the different ways relationships take form—is one of the hardest things we do in our lives. It’s one of the biggest risks we’ll take in our lives… If you say ‘yes’ to someone, ‘I will,’ [you] are also saying, ‘I will be hurt by you.’ Because you can’t have relationships if you’re not willing to be disappointed and hurt by that person. It’s almost impossible. And you have to be able to enter the world and realize that the richness of life is all the good and joy and thrill of it, but also all the disappointment, hurt, and heartache of it—and that all of that is what’s great.

Hoffman spoke to Terry [Gross on Fresh Air] in 1999 and 2008. We play parts of both interviews in our tribute to him.

*Quote transcribed as it was said in the interview, not as in the tribute.

(thanks/via: nprfreshair)

(via npr)